BMF: The Rise and Fall of a Hip-Hop Drug Empire

Four Harlem friends -- Bishop, Q, Steel and Raheem -- dabble in petty crime, but they decide to go big by knocking off a convenience store. Bishop, the magnetic leader of the group, has the gun. But Q has different aspirations. He wants to be a DJ and happens to have a gig the night of the robbery. Unfortunately for him, Bishop isn't willing to take no for answer in a game where everything's for keeps.

Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.

In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.

High up in the Northern California mountains there is a place, where not too many get to visit. Its called - The Emerald Triangle, real mecca of Americas cannabis game. Follow a ukrainian journalist Luka on a journey that explores lifes of real growers and hustlers and the dangers that come with it.

Redman and Xzibit sit down to play new music, react to each other’s tracks, and share untold Hip-Hop stories. From their first rap influences to competing with guests on their records, this is an unfiltered look at their creative process, career wisdom, and legendary journeys.

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

Jason and Midget are two young, black teenagers living in Newark, New Jersey, the unofficial car theft capital of the world. Their favourite pastime is that of everybody in their neighbourhood: stealing cars and joyriding. The trouble starts when they steal a police car and the cops launch a violent offensive that involves beating and even shooting suspects.

De La Soul Is Not Dead is an ode to the act’s iconic 1991 studio album De La Soul Is Dead. The film documents the Long Island group’s rise to prominence and subsequent rise through the ranks of rap. Centered on De La Soul’s first four projects, De La Soul Is Not Dead is a study of the critically-acclaimed group’s most productive, significant period of creation.

One of the club's friends, a woman , is kidnapped. In exchange for her life, HIRφ, ZEEBRA, and their friends are tasked with delivering a teddy bear with a hidden CD-ROM from an abandoned hospital in Shinjuku to the observation deck of Tokyo Tower by dawn. The two friends must deal with yakuza during one long night.

Outwardly a chilling portrait of the aimless lives of unemployed inner city youths living on society's fringe, the underlying message of this volatile drama seems to call for violence to rectify social injustices. The film centers on two teenaged gangs who basically terrorize their neighborhoods with their anarchic behavior. There are few limits to their unpleasant philosophy of "desire equals acquisition." The loosely structured tale reaches its climax at a concert where the two rival groups collide.

Malcolm is carefully surviving life in a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT. A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself.