Mathi Schenk's Last Journey to Poland

The documentary portrays Erich Finsches, a true Viennese original and Holocaust survivor. Based on over six years of collected material by director Matthias Jaklitsch, who supported Erich on his travels, the film shows him as a positive, humorous, but also argumentative and unique personality in all his humanity. At 97, Erich continues to tirelessly advocate for remembrance of the past, attending memorial ceremonies and schools to spread his message of "Never Again." Instead of a traditional "eyewitness narrative," the film not only documents Erich's life, his youth during Nazi persecution, and his rebuilding of a new life after the war, but also the relationship between the director and the protagonist.

A documentary about the life of Jewish children forced to live in the Theresienstadt concentration camp.

Special care has been taken by International Historic Films to assemble this monumental documentary, which tells the story of what is left for a people after its land has been ravaged by war. Situated between the powerful antagonists Germany and the Soviet Union, the Baltic nations of Latvia, Lithuania, and Estonia bore witness to some of the most ferocious land battles of the Second World War.

September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.

Documentary brings the time of the Holocaust to life and provides insight into the mind of the organizer of this crime: Adolf Eichmann. The documentary contrasts Eichmann's statements and memories - documented in the original soundtrack - directly with those of Holocaust survivors. The picture of the person and the crime is rounded off by the many contemporary witnesses who were involved either in Eichmann's arrest or the subsequent trial - such as the doctors and psychologists who looked after him, the guards and police officers through to the interrogator, the public prosecutor and the judge at the trial.

The order comes in the summer of 1941 from Propaganda Minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is retraced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards – that is the plan. Only in 1943, the first production is completed: “Armer Hansi”, a 17-minute-long colour movie, realized with the effortful multiplane technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, live action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the Third Reich.

Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.

The incredible life of Jorge Semprún (1923-2011): son of a republican intellectual; exiled in the early days of the Spanish Civil War; survivor of the Buchenwald concentration camp during World War II; clandestine communist in Spain during Franco's dictatorship; controversial socialist politician; acclaimed writer, screenwriter and filmmaker.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.

Eva Mozes Kor, who survived Josef Mengele's cruel twin experiments in the Auschwitz concentration camp, shocks other Holocaust survivors when she decides to forgive the perpetrators as a way of self-healing.

Nazi propaganda film “exposes” the United States and its plans against Germany and the German people. Shows so-called signs of decay, gang-wars, slums, riots of blacks, etc. Small wonder, the comment is, that the Statue of Liberty turns it back on America.