Drama
In the heart of a Dominican family’s home, the youngest daughter’s thirteenth birthday is being celebrated. Balloons, cake, and music cannot hide the tension that lingers in the air. Amid the party, between music and applause, Minerva receives a special gift from her father.…

Minerva
Padre
Madre

In a community haunted by domestic strife and inter-community violence, a young Black man finds himself stalked by a sinister Apparition—an embodiment of generational trauma and suppressed identity. Battling to preserve his true sense of self against the crushing weight of societal expectations, he’s drawn into a spiraling psychological struggle where reality and nightmare blur. The film confronts the mental health toll of normalized violence and forces a reckoning with the unseen scars passed from one generation to the next.

Daughter explores the way women are viewed in society by following three female characters on a Friday night out in St Kilda, who's lives become entwined and affected by an act of violence this fateful night. The award winning short film and an awareness project was inspired by the tragic murder cases of Jill Meagher in Brunswick and St Kilda's own Tracy Connelly, whose occupation as a sex worker was highlighted in the media, leading to her murder and personal story being sadly overshadowed. The main themes explored in the film are violence against women and victim blaming, shown through the eyes of three female leads, lead by Katherine Langford (13 Reasons Why) as Scarlett, Aisha Tara (Heartbreak High) as Jemma and Carolyn Rey as Alethea.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Timid 14-year old 'Baduday' develops a crush on the new guy in their neighborhood, but he only sees her as a child. With only her best friend’s lip tint and a whole lot of imagination at her disposal, Baduday journeys on a rocky road of self-exploration and learns the awkward truths of girlhood along the way.