The Boy in the Striped Pyjamas

40-year-old Elling, sensitive, would-be poet, is sent to live in a state institution when his mother, who has sheltered him his entire life, dies. There he meets Kjell Bjarne, a gentle giant and female-obsessed virgin, also in his 40s.

Free after years in prison, Carlito Brigante intends to give up his criminal ways, but it's not long before the ex-con is sucked back into the New York City underworld.

During a murder hunt game at a country house, to which Hercule Poirot is invited as an "expert", a real murder occurs.

In Acapulco, Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The causes seem to be natural until another party with most of the same guests produces another corpse.

Fearing the theft of an important secret formula, the scientist Claude Amory asks for help from Monsieur Préval, director of the Sûreté. But when Amory is mysteriously poisoned inside his own home, the detective realizes the case is more serious than he had imagined and decides to investigate each of the suspects.

Heli Valkonen is desperately in love with her husband. But Matti is just not in the mood. He is only interested in playing computer games, dressed in worn out fleece pants. For him, a shoulder massage is the highest form of intimacy. When subtle hints, nice words and fetching clothes won't help, Heli resorts in direct, and increasingly direct action - in vain.

A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.

A widower and his daughter deal with the death of the man's wife.

In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.

Evgeniy Onegin lives in grand style: balls, receptions, theater premieres and other frivolities the capital can offer a young man. But social life has long tired him, so he perceives the news of the illness of his uncle living in the village as an opportunity to escape. However, having reached the estate, Onegin learns about the death of a relative, which, however, does not upset Evgeniy too much. His financial affairs are very sad, and his uncle is rich and has no other heirs. Onegin locks himself in the estate, living in aimless solitude until the owner, who has returned from abroad, appears at the neighboring estate – a young, enthusiastic Vladimir Lenskiy, not yet satiated with life, who introduces Evgeniy to sisters Tatyana and Olga Larin.

An emotionally-beaten man with his young daughter moves to his ancestral home in Newfoundland to reclaim his life.