Dona Maria

The director's mother is 90 years old—and is beginning to forget herself. Not only herself, but everything else as well. She has dementia. Only her faith and her tireless knitting of exclusively blue socks keep her alive. The director, whose relationship with his mother has been very tense throughout his life, approaches the dissolution of his mother's ego in this experimental and essayistic film with the support of Didier Eribon, Simone de Beauvoir, Norbert Elias, Jean Améry, and others. In addition to this very personal story, he also tells a universal story about the process of aging, about repression, but also about rebellion in dealing with and interacting with aging people.

Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.

An elderly woman's dementia takes over more rapidly than expected as she tries to remember her past.

During a general cleaning weekend in his village house an old cemetery groundskeeper discovers that he is just as much of a burden for his family, as his old mementos they are throwing away in the trash.

This title was completed in 1984 and opened in 2014.

Antonio is 92 years old and lives on his own in Penàguila, a small Spanish village in the Mediterranean mountains. In his old age, he spends his days enjoying the good weather on the patio, doing minimal tasks, and teaching things to younger generations. His old age sets the pace in a village where he has lived all his life and where his past is around him, like the family restaurant or the fields he used to harvest. The arrival of the cold winter will change it all.

Jean, now 86, lives alone in the countryside. On a special summer’s day, he decides to take back control of what really matters.

The pedantic Mr. Atanasoff is constantly irritated by the careless bouzouki playing of the bohemian foreigner living upstairs. He gloats with happiness when the musician loses his beloved instrument, but soon his attitude is about to take an unexpected turn.

An explanation of social security, survivors’ insurance and other benefit systems, encouraging workers to file for their social security cards.

Famed Canadian-American leftist documentary filmmaker Leonard Fife was one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Now in his late seventies, Fife is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life.