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Atmospheric Offense is an interpretation of Ida Lupino’s 1953 Noir Thriller The Hitch-Hiker that explores how narrative both remains and disappears when exposed to avant-garde techniques, which include removing dialogue, jarring and destructive ellipses, the creation of loops to focus on certain elements, reimagining of time, exaggeration of a certain sinister aesthetic, and a push toward a certain dream like quality. Narrative remains, but with a bastardized and disoriented aftereffect, which transforms it into another way of experiencing it. The spree killings of Billy Cook (portrayed in Lupina’s film by the actor William Talman, and renamed Emmett Myers) are looked at more as a moment in time that begins and ends with vague qualities much like a dream, or an experience of weather in Robert Musil’s The Man Without Qualities.

A woman moves into a cabin in the small town of Frozen Run to escape her hectic life. One night after a strange storm, a mysterious man arrives in town and speaks as if he knows her even though she's sure they've never met. She struggles to figure out what is going on as she is plagued by personal woes and horrible nightmares.

Liminal explores the everyday sensation of being in-between, offering a moment to consciously experience what we usually pass through unconsciously. Set in the flow of a metro station, the film reflects on transition, estrangement, and fleeting pauses in motion. As a fashion film, Liminal treats clothing as lived self-presentation in transit, where silhouette, posture, and shifting light shape how a body is read within public space.

Ryan is a man who is haunted by the memory of his one true love, Meg. However, his dreams about her soon turn to nightmares, as he struggles to comprehend what is real and what is fantasy. Destined to relive a moment in his life that will torment him forever, he must force himself out of his self contained prison to confront her.

A storm that has been continuing to swell over Appalachia for 5 months with no sign of stopping. While journalist and her colleague are on route to continue ongoing interviews with survivors about strange psychological behavior following the storm, she inexplicably wakes up alone in an empty jeep, parked in a clearing, surrounded only by Appalachian wilderness. After realizing the car will not start, she makes the bold decision to find her way back to civilization on foot, despite being lost. With vivid recurring thoughts and visions of personal childhood trauma manifesting around her, she finds herself unable to leave the woods, instead mysteriously returning to the clearing.