Deep Roots, Dark Earth: Freemining in the Forest of Dean

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.

During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,

On the 5th of March 1985, a crowd gathered in a South Yorkshire pit village to watch a sight none of them had seen in a year. The villagers, many of them in tears, cheered and clapped as the men of Grimethorpe Colliery marched back to work accompanied by the village’s world-famous brass band. The miners and their families had endured months of hardship. It had all been for nothing. The miners had lost the strike called on March 6th 1984. They would lose a lot more in the years to come. But was it a good thing for the country that the miners lost their last battle?

A small town is overcome by a massive underground coal fire in 1962. As a result hundreds of residents had to be relocated.

One of the most important Kentuckians of the 20th century, Harry Caudill brought the story of Appalachia to national attention when his book “Night Comes to the Cumberlands” was released in 1963. The nonfiction account of Eastern Kentucky’s coal region, part history and part polemic, eloquently recounted the exploitation of Appalachia’s land and its people by business and government interests, and made Caudill a national spokesperson for his homeland. Harry Caudill spent his life advocating for Eastern Kentucky, with the aim of helping the powerless as well as securing the region’s unmatched natural resources for future generations. His work led to lasting government reforms for Appalachia, and his legacy remains a touchstone for activists today.

“…It is a film that tells in hurried film sequences and a resonant musical score juxtaposing the sublime, funereal despair of Bartok agains tthe gut-bare tones of folk music. Gates has through his filming technique and meticulously selected mining sites, captured all the outrage and sorrow and indignity to the land and its people that strip mining represents. The film is one that all Americans should see, for it shows extremely well the price we have to pay for strip mined coal.” - Dale A. Burk, The Montana “Missoulian”

Motivated by family memories, a filmmaker returns to the land of his mother to reflect on his identity and deep cultural heritage.

For some time now, The State Commission of the Lithuanian Language is at the center of tough discussions. For some, it’s an institution which safeguards the most important principles of the language, but for others, it’s an anachronism of the Soviet regime. This film offers a first-time glimpse into the commission’s work

The first of a documentary serie about rural France.