Amityville Backrooms

On a trip to Los Angeles to visit a new flame, Anna finds herself lost, stoned and alone… or is she?

The e-DEMON recording is a wakeup call to understand the truth of what’s happening to our world ever since the e-DEMON was released from its prison. Witness that first night of demonic possession as it turns a group of friends against each other. As growing numbers of people get possessed, knowing who to trust is the key to survival.

A young female reporter has the brilliant idea to create a fake video report on everyday crime, ranging from fights between couples that end with murder, friendships that end up ruined forever, incest, rape, to even drugs and accidental deaths. She finds a friend who is obsessed with his camera and asks him to do the mockumentary for her voluntarily. He agrees and both start recruiting amateur actors, friends and people who like the idea playing in front of the camera. The fake scenes soon become real.

The First French Found Footage Horror Anthology.

1 original film, 8 sequels, 1 remake and almost 100 scams exploring a house, of course we wouldn't be left out. A house, an event explored to exhaustion, it was time for the curse to travel to Brazil. With the worst special effects, worthy of the biggest picks in world cinema, an experience you will never forget.

During a promising evening, an unknown user joins Elliot and Rayan's call, two friends chatting on Skype.

As the streets of Los Angeles overflow with camera-wielding gawkers seeking to capture images of a bizarre police pursuit, the same people who sought to exploit the suffering of others for amusement on the Internet become the stars of a gruesome viral video from which no one gets out alive.

Liminal explores the everyday sensation of being in-between, offering a moment to consciously experience what we usually pass through unconsciously. Set in the flow of a metro station, the film reflects on transition, estrangement, and fleeting pauses in motion. As a fashion film, Liminal treats clothing as lived self-presentation in transit, where silhouette, posture, and shifting light shape how a body is read within public space.

With the approval & budget given to him by his producer & friend, a director goes on a journey to a park with a small crew to film a bunch of random people about the sightings & belief of possible monsters.

In 1994, Romero traveled to Valencia College in Florida to make a short film called Jacaranda Joe. It was a re-imagined version of a movie he'd tried to make in the '70s called The Footage. The film is set on a Geraldo Rivera-like talk show called Remington, on which the sleazy host is discussing footage of a swamp-dwelling bigfoot-like creature that had been captured on video by the TV crew. In the aftermath of that footage getting out, the town of Jacaranda has become overrun by tourists, hunters and filmmakers hoping to find Joe themselves. The talk show panel debates whether Joe is real or a hoax, with a representative of a local Seminole community who claims to have seen Joe also talking about tribal customs and the cruelty and destruction of white American society. The talk show builds to a reveal of the footage of Joe, slowed down to give the audience a better look at the creature. It ends with Remington teasing further discussion and revelations on the rest of the episode.

Cole Harrington, the host of a popular outdoor series, sets out to track down the predator responsible for a series of cattle attacks in rural Nevada. The mystery deepens when he uncovers footage depicting the final moments of two missing university employees.

In a medieval Dutch village, a young woman is caught between her faith, fanatic townsfolk and the dark forces lurking in the woods.