Memories of the Sítio

In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.

Many memories, some uncertainties, four young people and a soccer tournament.

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.

Sydney, the early 1950's... a city in the grip of a deadly crime wave. In just over a year more than one hundred people were poisoned. Most of the killers were women. Recipe For Murder tells the true story of three notorious poisoners; Yvonne Fletcher, Caroline Grills and Veronica Monty. The 52 minute film combines gritty archive with stunning film noir re-enactments and interviews with witnesses. Narrated by Dan Wyllie in classic pulp crime style, the film dramatically reveals the unique ingredients that created a Recipe For Murder.

The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.

Documentary on the atrocities the germans committed at the start of WW I in Dinant.

Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.

An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.