A film crew travels to the island of Islay off the west coast of Scotland to investigate the curious tale of the discovery on the island of a dead wallaby.
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Pangolins are unique, bizarre, adorable creatures, but due to the demand for their scales on the illegal market, they’re also the most trafficked animal in the world. To turn the tide, wildlife veterinarian Elias Mubobo knows the solution rests in the hands of the local community — many of whom have never seen a pangolin in the wild.

Arne Sucksdorff’s short documentary observes gulls raiding nests and stealing eggs with ruthless persistence. Though presented as pure nature study, the film was widely read as an allegory of Nazism—a symbolic parable of predation and violence during wartime. Sucksdorff himself denied such intent, but remarked that “a film that is not open to interpretation is a dead film.”