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In the interior of Sergipe, a musical rhythm fills the parties and moves people. Music lovers and singers of the genre share their stories and how arrocha affects them.
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A once-in-a-lifetime live, global original concert event offering fans from around the world a front-row seat to witness the groundbreaking magic of the Rocket Man back at Dodger Stadium and showcasing Elton John as audiences have never seen him before, paying tribute to the icon and the seminal moment in 1975 that cemented his global success.
The Pineapple Thief's spectacular final performance of their 'Your Wilderness' tour featuring Gavin Harrison (King Crimson) on drums. Bringing to close an unforgettable 14-date European Winter tour of their 2016 summer hit album 'Your Wilderness', The Pineapple Thief, led by post-progressive mastermind Bruce Soord and reinforced by Gavin Harrison (King Crimson) on drums with Darran Charles (Godsticks) on guitar, gave the sold-out Islington Assembly Hall in London a truly awe-inspiring gig on 11th February 2017. 'Where We Stood' showcases a tight performance from both band regulars and guests on new tracks from 'Your Wilderness', including "In Exile", "No Man's Land" and "The Final Thing On My Mind", and of the classics from previous albums, "Nothing At Best", "Show A Little Love" and "Simple As That".
Heinrich Schütz was presumably the first internationally renowned German composer. In the 40 years he spent as court "kapellmeister" in Dresden, he left a strong impression on musical life in Europe. Although he was named "father of our modern, meaning German, music", he was long forgotten after his death in 1672. His works in their clear beauty still seem up-to-date, almost modern. However, only his vocal works - a small part of his extensive oeuvre - are known today. Narrating this documentary are, amongst others, international musical experts from Germany, Venice or Copenhagen - like David Douglas Bryant, Bjarke Moe, Prof. Matthias Herrmann, Dr. Christina Siegfried - as well as conductor Hans-Christoph Rademann, who was the first to record Schütz's complete (known) oeuvre.
