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Tough torch singer Petey Brown, visiting her family, finds a nest of troubles: her sister, brother, and the neighbor's wife are involved in various ways with shady nightclub owner Nicky Toresca. Petey has what it takes to handle Nicky, but then she meets San Thomas, a formerly great jazz pianist now on the skids, and falls hard for him.
Gary Starke is one of the best ticket scalpers in New York City. His girlfriend, Linda, doesn't approve of his criminal lifestyle, though, and dumps him when she gets the opportunity to study cooking in Paris. Gary realizes that he has to give up scalping if he has any chance of winning her back. But before he does, he wants to cash out on one last big score. He gets his chance when the pope announces he'll be performing Easter Mass at Yankee Stadium.
John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.
James “Brick” Davis, a struggling attorney, owes his education to a mobster, but always has refused to get involved with the underworld. When a friend of his is gunned down by a notorious criminal, Brick decides to abandon the exercise of the law and join the Department of Justice to capture the murderer.
Pink Massage is a slow cinema feature that explores intimacy, labor, and moral ambiguity in contemporary Bangkok. Set against the backdrop of a city in constant construction, the film follows the quiet rhythms of everyday life, where touch is defined as work and silence carries emotional weight. Through static compositions, long takes, and ambient sound, Pink Massage observes how moments of proximity and stillness can subtly disrupt routines shaped by economic survival. Rather than offering clear narrative resolutions, the film invites viewers to inhabit uncertainty and reflect on how desire, displacement, and human connection exist within systems that seek to define their value.
Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.
