Self
Self
How well do we really know our parents? And their youth? Do we simply have a vague idea of who they are, and were, before they had us? Cécile embark on a quest to discover truths about her mother and her youth, truths that can't be found elsewhere, than right where it all happened. Southern France. The project is a self-inventory, and an attempt to understand the complexity of parenthood and the dynamics between mother and daughter.
Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.
A symbolic and personal representation of the filmmaker's journey with grief, after losing their father in 2015. He owned a pair of gold Crocs which he wore everywhere, from lounging around at home to going to the shops. These shoes have been with the filmmaker's family throughout their childhood and have great sentimental value. Now these Crocs belong to the filmmaker's family and everybody who visits wears them. They have become a staple of their home where they will continue to see many more years of their family's life events.
In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.
