Attenuation

The oppressing life of a father and his son with a tragic ending and what can happen if a dream suddenly comes true.

Mariana must sacrifice her dog Frida after violently beating it for having destroyed her recently deceased son's toys. The pet's death helps Mariana accept and overcome the loss of her son.

Carlos, a man haunted by his past, plunges into an existential crisis that leads him to day-to-day apathy due to the loss of a child, an act that condemns a declining marriage and continuous desolation.

Crossing hills and streams, a muleteer determined to find the murderer of his father, will discover that in revenge the weakest can be the fiercest.

Amelia arrives at the hospital, her father is dying. Her frustration and pain keep her on her feet.

At her young age, Juana has two great responsibilities: preventing her older sister from fleeing the house and passing on the secret of making bricks to her younger sister.

In 1929, during the Cristiada, Ranulfo, captain of the Cristero army, kept a federal prisoner, whom he tortured and threatened. At another time, Eugenio, captain of the federal army, rebukes and mocks the faith of a group of Cristeros peasants who are weak but not defenseless.

In the desolate countryside, haunted by recurrent dreams, a young drifter finds himself at the borderlands between the living and the dead.

August 1914. Europe has mobilised. The Imperial German Army has executed its Schlieffen Plan, has ploughed through Belgium, and is now deep in France. The British Expeditionary Force is seeing its first action against the Germans. Skirmishes in open countryside are common, and both sides are still learning how a modern war could and should be fought. Two soldiers, one English, one German, both with lives and lovers at home they would rather not have left, find themselves facing each other, alone. Alone, except for the French girl, Françoise…

Adapted from "Vehi-Ciosane ou Blanche-Genèse," this short drama portrays a Senegalese village thrown into crisis by the pregnancy of a young girl, revealing deeper patterns of moral and social breakdown.

Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)

The short film depicts the life of a boy who is constantly sexually abused by his father. Leonardo Miggiorin brilliantly plays the role of this boy, who belongs to a poor and unstructured family.