Music / Documentary
The Eagles performed live for the first time in April 1994 after a fourteen-year-long hiatus. Their reunion album’s name was in reference to Don Henley’s quote after the band’s breakup in 1980, when he commented that they would only play together again “when Hell freezes over”.…


Drums, Acoustic Guitar, Percussion, Vocals

Electric & Acoustic Guitar, Slide-Guitar, Organ, Vocals

Electric & Acoustic Guitar, Piano, Keyboards, Vocals

Bass Guitar, Vocals

Electric & Acoustic Guitar, Pedal-Steel Guitar, Mandolin, Vocals
Piano (Tour Member)

Keyboards, Vocals (Tour Member)

Closure/Continuation. Live. Amsterdam 07/11/22 documents Porcupine Tree’s triumphant return to the stage perfectly. A live recording captured on 7th November 2022 at Amsterdam’s 17,000 capacity Ziggo Dome, it places the listener/viewer right at the heart of the stage for the duration of the show as psychotropic visuals explode behind the band as they play a superlative set of songs that features - to use Steven Wilson’s words - “no hits”, where each one is received like an anthem from an alternate universe. Closure/Continuation Live includes live recordings of much of their 2022 reunion album (including the singles Harridan and Of The New Day) as well as classic tracks like Trains, Fear of a Blank Planet and Anesthetize.
A concert performance of the most famous parts of Dvořák's opera Rusalka in the park of Liteň Castle, directed by the Caban brothers with multimedia elements and original choreography... The year 2021 marks an important milestone in the history of Dvořák's opera Rusalka, which premiered in 1901, 120 years ago. At the same time, the non-profit organization Liteň Castle and the Jarmila Novotná Festival are celebrating ten years of activity. Its mission is to popularize the name of the legendary diva, actress, patriot, and important personality Jarmila Novotná and to care for the cultural monuments on the grounds of Liteň Castle—and on the occasion of both anniversaries, it did so with an extraordinary performance of the opera Rusalka in the picturesque surroundings and magical summer atmosphere of Liteň Castle.
"Good Morning, My Dear," "Farmers," "It Didn't Hurt," "Yum," "The Pilot," and many others. The unique and original musician and singer David Stypka from Dobrá near Frýdek-Místek wrote many powerful and hit songs. Exactly two years after his death, Stypka's hits were performed in the Gong multifunctional hall in Ostrava in orchestral arrangements by Jan Lstibůrek, performed by the Janáček Philharmonic Orchestra Ostrava, conducted by Stanislav Vavřínek, and the band Bandjeez. Stypka's closest musical companions – Ewa Farna, Mirai Navrátil, and Kateřina Marie Tichá – took turns at the microphone. They also performed a joint rendition of Stypka's hit "Kříž" at the end of the concert, following up on their legendary performance at the Czech Music Academy Awards – Anděl in 2021.
A brilliant performance of Schönberg's monumental work at the Prague State Opera. Arnold Schönberg composed Gurre-Lieder to a text by J. P. Jacobsen about the tragic love of the Danish king Waldemar and his mistress Tove Lille, who was murdered out of jealousy by Queen Helviga. He orchestrated the composition for a monumental orchestral and vocal ensemble: five vocal solos, a narrator, a male and mixed choir, and a huge orchestra comprising 25 woodwind instruments, 25 brass instruments, four harps, a celesta, 16 different percussion instruments (including iron chains), and an exceptionally large string section. Every performance of this masterpiece, composed down to the last detail, is truly an overwhelming experience. SOČR chief conductor Petr Popelka seized this unique opportunity, as at the time of the performance of Songs he was also chief conductor of the Norwegian Radio Orchestra, and in this unique project he brought together the two ensembles entrusted to him.

From the moment Snarky Puppy played its first overseas show to a sold-out London crowd, they felt at home in Europe. Recorded and filmed live with a studio audience over 4 nights in the Netherlands, 'We Like It Here' capture the band at its most exploitative point in its career, in both composition and improvisation. The film also contains over an hour of interviews, behind the scenes tour footage in Europe, and alternative solo takes from the recording sessions.

Percussion, Drums (Tour Member)

Percussion (Tour Member)
Organ, Keyboards, Piano (Tour Member)