Algeria - Spirit of the Desert

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Rotpunkt documents the advent, the agony and the art of the redpoint through Alex Megos’s efforts to redefine the boundaries of the form. The film traces the redpoint—which transformed rock climbing from an engineering problem into a brilliant test of mental and physical strength—from its origins with a ragtag bunch of tights-wearing revolutionaries in rural Bavaria, to its golden era with Wolfgang Güllich, to its new ideal in the German phenom Megos as he battles to unlock new levels of human potential.

A scenic documentary record of a climb up to Mount Assiniboine, the 'American Matterhorn' in the Canadian Rockies.

In Tamazight culture, "Twïza" symbolizes a gathering for sharing and mutual support. This is precisely what Thibault Dion's film explores – January 2019 – as five French climbers land at Constantine airport. While they initially thought they would simply be opening climbing routes in eastern Algeria, this group of climbers from Grenoble discovers much more. Their initial apprehension about exploring this isolated region, coupled with the warm welcome, good humor, and rich culture, transforms their journey into an unexpected human adventure. Fabulous landscapes, thrilling experiences, unforgettable moments, smiles – beyond borders, in the land of friendship and hospitality... Algeria.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

When Tenzing Norgay, a Sherpa, joined Edmund Hillary as the first men to summit Mount Everest in 1953, it alerted the world to the indispensable role of the Sherpas on any Himalayan expeditions. By 1954 the Himalayan Mountaineering Institute (HMI) was founded to marry the high-altitude strengths of the Sherpa with technical climbing skills. The HMI’s arduous training program has been developing mountaineers who play crucial roles in the success of Himalayan ascents. In 1967, HMI’s field director Nawang Gombu, a Sherpa and the first man to summit Everest twice, was charged with training women as well. In Sherpa: the Proving Grounds we follow a team of intrepid young women as they attack the grueling 28-day course.

Nicolas Jean, a 14-year-old climber, decided to meet climbers who have left their mark on their era and contributed to the evolution of climbing in their own way. Among them is his coach, Laurent Perez, who will guide him on an original project: re-equipping a 7c+ route and adding a variation that will make it his first 8a if he manages to complete it! Nicolas Jean will later become a high-mountain guide and the alter ego of his climbing partner, Benjamin Védrines, with whom he will achieve numerous first ascents, including the summit of Jannu Est (7468 m) in October 2025.

Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.

For decades, an elite handful of climbers have competed for the coveted speed record on the 3,000-foot Nose of El Capitan, risking big falls to shave mere seconds off the fastest time. When a record held by superstar Alex Honnold is broken by little-known climbers Brad Gobright and Jim Reynolds, Honnold drafts fellow climbing legend Tommy Caldwell to establish a new mark that will stand the test of time. Honnold pushes for perfection while Caldwell, a family man, wrestles with the risk amid a series of accidents on the wall that lay bare the consequences of any mistake.

Once again, Masters of Stone breaks through to the cutting edge of the sport. Harder, Faster, Bolder, Newer, and more...six points of breakthrough in all.... where human edges toward the superhuman. This is the Super Bowl, Olympics, and Boston Marathon of rock climbing, all rolled into one. More than any other sport, rock climbing continually redefines its rules and resets its limits. Yesterday's impossible becomes today's warm-up as advances in mental and physical mastery combine to break new ground. Every few years the Masters of Stone series delivers a new episode that captures these breakthroughs in a tasty mix of music, character, commentary, and above all, visual action.

Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.

Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.