Mãe
Hugo
Brinquedo no Quarto

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.

Felix, a 16-year-old boy, receives a diagnosis of an incurable disease and sees his life turned into uncharted territory. Unable to accept this new reality, he goes through the stages of grief denial, anger, bargaining, depression and finally, a delicate beginning of acceptance. Amidst the emotional chaos, Felix finds an unexpected refuge in filmmaking. Films begin to offer not only comfort, but a new way of seeing the world and himself. It is then that his passion is born: telling stories. Driven by the need to give meaning to his life, he decides to transform his journey into art and begins to write and direct a film about his own life.