Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

In 1984, eleven miners entrenched themselves underground to protest for better working conditions in the mining village of Almaden in southern Spain. The strike, deep within the toxic mercury mine, lasted for eleven long days, during which the whole village showed its solidarity with the men protesting underground. The mine was the heart of Almaden, around which everything revolved – until it longer existed. The mercury mine was closed for good at the beginning of the 21st century. As a consequence, the area has experienced mass unemployment and slow decline.

Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.

"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.
BBC memorial portrait of recently deceased Margaret Thatcher. With the help of never-before-seen archive material and interviews with colleagues and family, a portrait is painted of a politician who many have an opinion about and who has left a great impression, both in British politics and in the world.