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This film takes a candid, inside look at the world of juvenile delinquency. We are shown the tough existence on the streets of Montreal, but it could be any city in North America. Some boys as young as ten years of age talk about their lives of crime, the things that are important to them, and the hopes they hold for the future.
Rapper and breakdancer Teekay from Eindhoven is known for his somersaults and vlogs that are causing a stir. During the corona riots in 2021, he not only gained national fame as a vlog reporter, but also ended up briefly in jail. After his junior year, Teekay wants to change course and, above all, be an example for other young people. In the film he takes us into his life and talks about his childhood in foster homes, the mistakes he made and about his dreams. What is Teekay looking for?
Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.
A girl from St. Petersburg walks around protest-ridden Moscow, talking to riot police and believing that sooner or later they will go over to the side of the demonstrators. An 18-year-old student of a St. Petersburg college introduces herself as Alice and tells about herself that from the age of four she lived in an orphanage and in foster families. In Moscow, Alisa, for whom this is the first rally in her life, walks along the police cordons and looks under the OMON helmet. "Under the mask you can't see, are you even human?"
In May 2005, after 30 years of Moroccan occupation, Saharawi students initiated a series of peaceful demonstrations demanding their right to the United Nations-mandated referendum on Western Saharan independence. The Moroccan authorities responded with a brutal campaign of repression, detaining and torturing human rights activists as well as Saharawi students and children as young as eight years old.
At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară
