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The untold tragedy and scandal of what happened to a vibrant community of immigrants from the Cape Verde Islands in the Fox Point section of Providence, Rhode Island who were forcibly displaced by urban renewal to make way for fancy coffee shops, antique stores and elegantly restored houses. Poignant, heartfelt and warm, in a timeless snapshot SKFPR captures the essence, spirit and heart of a community whose history was erased before it was written.

The meeting of Getnet, an Ethiopian Jew and Salomon, an orthodox Christian, takes us into the heart of Ethiopia’s history and religious traditions. They travel 900 kilometres, showing us their universe. They finally arrive into the whirlwind of the Ethiopian Epiphany, the most spectacular event in the Horn of Africa.

Lesson in History was produced when Peters was a student at the West Surrey School of Art and Design. Having read The People Could Fly by Virginia Hamilton, she was inspired to make what she describes as 'the stories of black achievement and how stories had not been told.' The animated film was subsequently screened on the BBC as part of the series 10X10. It was shot on 16mm using cutouts, photography and masks.

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

This is the story of Africa's first Boxing World Champion, Battling Siki. Who was this boxer born in Senegal, decorated for Bravery in World War I? Why do so few know that he fought and won the World Light Heavyweight Title aged 25, only to lose it controversially six months later? And why was his life cut short on a New York Street aged 28?

Tunisia itself is the subject; we wanted to render the genius of the site. Tunisia is almost the central character of this little film: we see the relation of the city to the sea, the traces that bear witness to its foundation, the remains of Carthage, the symbolism of the recently discovered Medina coin … The splendours of the house interiors and courtyards are associated with a scene of origin, what psychoanalysis calls a primal scene. Entering these houses opens up a world peopled by women: the child’s ‘homecoming’ in the hands of women is staged as an abduction, playing doubly on fascination and terror. These places were mine, from my childhood, they can be found almost intact – it’s the return of the exile visiting the kingdom. I let Ruiz discover all this, and immediately that led him to echoes and resonances ranging from Spain to Chile.