火藥, burn my eyes

Made primarily using 35mm black & white stills film, which was developed and scanned at home, the film explores themes of memories, nostalgia, and our relationship to still and moving image and how those two mediums differ in regards to how we process the passing of time.

A female puppet appears locked in a room, lying on the floor and immobile. Through various experiences, strings begin to attach to her body, and her movements gradually become more fluid. Each string is associated with a scene related to an aspect of women's social issues, such as the body, equality, or gender.

That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.

Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.

Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.

Monster in a domestic crisis.

At midnight, two elves help a pair of shoemakers in distress by making shoes. They make it a condition that they are not watched. When the cobblers do it anyway and then send them the matching clothes, they stop working but continue to help the cobblers.

Based around three of E.T.A. Hoffmann's tales ("Klein Zaches," "The Golden Pot" and "The Sandman"), with the main character being Hoffmann himself, this stop-motion fantasia focuses on the duality between the imaginative universe of his writings and his real-life profession as a government clerk.

A documentary about the sea and memory. Its movement is its form. Its strength.

A filmmaker revisits her childhood, interweaving 16mm vignettes and her old child services documents, uncovering the truth she couldn't voice as a child.