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THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
After twelve years in exile, Syrian journalist and filmmaker Daham Alasaad returns to Homs, devastated by the war in Syria. Once the city of his childhood, it is now a relic of an authoritarian regime, where different communities (Sunnis, Christians, Alawites) are trying to rebuild their lives together after terrible years of division and destruction. Thanks to Daham Alasaad's close relationship with the city's inhabitants, the director highlights some very moving characters, torn between grief, fear, the need for justice, and the desire for peace and reconciliation. By opening up naturally to the camera, they allow viewers to experience what Syrians of all backgrounds are going through today. "Homs-Syria, Life After" is a personal and political investigation into the ability of this symbolic city to rebuild hope on the ruins of a Syria ravaged by more than fifteen years of war and facing an uncertain future.
An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.
In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
In 2012 Dalya and her mother Rudayna fled Aleppo for Los Angeles as war took over. Months before, Rudayna learns a secret that destroys her marriage, leaving her single at midlife. Arriving in LA, Dalya enrolls as the only Muslim at Holy Family Catholic High School. Can mother and daughter remake themselves while holding on to their Islamic traditions?
Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.
