A meditation on an Alaskan autumn.
No cast information available.
The "Alaska at War" film project was an effort to document events of World War II in Alaska. It was funded by the Alaska Legislature through the Alaska Historical Commission and was supported by the Alaska Historical Society and private subscription. The production work was performed by aurora Films, assisted by a citizen's advisory committee. The production "Alaska at War" was first shown in public on Alaska Day, October 18th 1986.

Filmed in Victoriaville, the film uses images from various sources to paint a cynical portrait of the violent boredom that reigns in rural areas. Quiet sequences of people sharing joints by the river are followed by a lone car speeding along wooded roads, as if seeking speed on the brink of accident. Thuya abandons technical mastery in favor of intimate and spontaneous filming, composing a raw self-documentation of daily stagnation. Filmed mainly in a single day of improvisation, based on chance encounters and found footage.

More than 7,000 km from his home in the Jura Mountains, Sébastien dos Santos Borges is taking seventeen of his dogs on an extraordinary adventure between Yukon and Alaska, following in the footsteps of the adventurers of the Far North. He is one of the most respected mushers in the world and is preparing to set off on the Iditarod Trail Sled Dog Race, one of the most difficult dog sled races. An expedition into the heart of the wilderness, where the relationship between man and animal is essential to triumph over the cold.
An early silent film, made before intertites became common (which is why very early silent films are narrated, at best). This was filmed in 1907 but released in 1908. It was made at the request of Teddy Roosevelt, who saw coyotes being caught in Oklahoma *by hand*, and folks back east didn't believe him. While this movie is called "The Wolf Hunt", it was actually coyotes being caught, not wolves.
The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min