Strawstalker

On a trip to Los Angeles to visit a new flame, Anna finds herself lost, stoned and alone… or is she?

A bungling bumpkin fails at a number of jobs in this slapstick comedy - before he finds his true calling.

The e-DEMON recording is a wakeup call to understand the truth of what’s happening to our world ever since the e-DEMON was released from its prison. Witness that first night of demonic possession as it turns a group of friends against each other. As growing numbers of people get possessed, knowing who to trust is the key to survival.

A young female reporter has the brilliant idea to create a fake video report on everyday crime, ranging from fights between couples that end with murder, friendships that end up ruined forever, incest, rape, to even drugs and accidental deaths. She finds a friend who is obsessed with his camera and asks him to do the mockumentary for her voluntarily. He agrees and both start recruiting amateur actors, friends and people who like the idea playing in front of the camera. The fake scenes soon become real.

The First French Found Footage Horror Anthology.

During a promising evening, an unknown user joins Elliot and Rayan's call, two friends chatting on Skype.

Dark comedy about a young woman being stalked and the awkwardness of bringing it up to her family.

As the streets of Los Angeles overflow with camera-wielding gawkers seeking to capture images of a bizarre police pursuit, the same people who sought to exploit the suffering of others for amusement on the Internet become the stars of a gruesome viral video from which no one gets out alive.

Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

With the approval & budget given to him by his producer & friend, a director goes on a journey to a park with a small crew to film a bunch of random people about the sightings & belief of possible monsters.

In 1994, Romero traveled to Valencia College in Florida to make a short film called Jacaranda Joe. It was a re-imagined version of a movie he'd tried to make in the '70s called The Footage. The film is set on a Geraldo Rivera-like talk show called Remington, on which the sleazy host is discussing footage of a swamp-dwelling bigfoot-like creature that had been captured on video by the TV crew. In the aftermath of that footage getting out, the town of Jacaranda has become overrun by tourists, hunters and filmmakers hoping to find Joe themselves. The talk show panel debates whether Joe is real or a hoax, with a representative of a local Seminole community who claims to have seen Joe also talking about tribal customs and the cruelty and destruction of white American society. The talk show builds to a reveal of the footage of Joe, slowed down to give the audience a better look at the creature. It ends with Remington teasing further discussion and revelations on the rest of the episode.