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It's Christmas Eve and Santa's given Barney and his friends a special job to take Derek (the new kid in the neighborhood) to see if Santa knows his Address. After arriving in Barney's special sleigh, the kids frolic on the ice, pretend to be elves in Santa's workshop and learn from Mrs. Claus that "doing things for others is what Christmas is all about."
Adam's mother takes the Backyard Gang and Barney (still a stuffed toy doll) to the studio where she works. While there, Barney and the Backyard Gang tour the studio on their own, while producing their own show. From a cereal commercial set and a puppet show and the six little ducks and teddy bears and the US flag and an island paradise and a make up place to a jungle, the show is filmed along with many props in the studio. With the power of imagination and some movie magic, anything is possible when Barney's around.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
When a young boy named Jake accidentally makes a new friend in an experiment gone wrong a troubled town is plunged into chaos. But with the creature rapidly evolving every day, Jake finds it increasingly difficult to keep his new pet secret. Jake's friends and new girl Abbie realize they are not the only ones interested in this strange, mischievous little dinosaur and soon discover that the only thing more mysterious than what it is, is who is looking for it.
A group of colleagues begins the traditional “Secret Santa” game. That simple gesture sets off an emotional journey through Montevideo, highlighting different corners of the city while celebrating the value of gathering, friendship, and the small traditions that bring people together. The short film emphasizes that what truly matters isn’t the gift, but the chance to be together again.
The director's mother is 90 years old—and is beginning to forget herself. Not only herself, but everything else as well. She has dementia. Only her faith and her tireless knitting of exclusively blue socks keep her alive. The director, whose relationship with his mother has been very tense throughout his life, approaches the dissolution of his mother's ego in this experimental and essayistic film with the support of Didier Eribon, Simone de Beauvoir, Norbert Elias, Jean Améry, and others. In addition to this very personal story, he also tells a universal story about the process of aging, about repression, but also about rebellion in dealing with and interacting with aging people.
