The Woman
The Man
The Seele

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.