SYSTEM-Stories and Connections to Land and Country

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

Envoy: Shark Cull is a fascinating, deeply moving documentary narrated by Eric Bana, which sheds light on the real story behind the coastal ‘shark safety’ programs in Queensland and New South Wales. The current methods of baited drum-lines and nets have not only been scientifically proven to be ineffective in protecting swimmers and surfers, leaving them at risk in the sea, but these outdated solutions continue to be allowed to negatively impact entire marine ecosystems—including the Great Barrier Reef. Follows some of the biggest names in ocean conservation, such as Sea Shepherd, Ocean Ramsey and Madison Stewart. We will join these experts as they explore and expose this scarcely understood topic. We will also learn the importance of sharks in our oceans while uncovering the longest marine cull in history.

An Aboriginal Australian and Native American documentary narrated by award-winning actor Jack Thompson, One Heart-One Spirit tells the story of Kenneth Little Hawk, an elder Micmac/Mohawk performing artist, meeting the oldest surviving culture on the planet: the 40,000 year old Yolngu nation located in northern Australia.

On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.

Sacred Ground tells the true story of Aboriginal people fighting to save the last remnants of their ancient heritage and culture.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.

Four stories from the Nordic region paint a picture of a changing natural world, where the elements rage and where being prepared proves to be much more than sandbags and fire extinguishers.

Four friends with with little to no musical talent set out to make a christmas album.

A short documentary exploring the reason behind the return of analog media, specifically vinyl. The documentary focuses on Gabriella, the main participant, and her experiences and personal viewpoints.