María Becerra - Estadio River Plate

World-famous pop group the Spice Girls zip around London in their luxurious double-decker tour bus having various adventures and performing for their fans.

Lençóis Maranhenses National Park is a graceful composition of shapes of land and water, located in the "majestic and sensual world of Northern Brazil" - as RY X musingly expresses it. The 155 thousand hectares is unique for its white sand dunes and topaz lagoons that the wind reshapes endlessly.

Following a childhood tragedy, Dewey Cox follows a long and winding road to music stardom. Dewey perseveres through changing musical styles, an addiction to nearly every drug known and bouts of uncontrollable rage.

"In November of 2019, I was sent to Chicago to interview psych-rock band 'Post Animal' on their much-anticipated sophomore album 'Forward Motion Godyssey.' Rather unfamiliar with their persona, I wasn't sure what to expect... What I got was the most absurd experience of my professional life." - Sam Straley

Music is a universal language, but it is not a simple one. Composing it, performing it, and producing it are challenges. The are of being a musician comes from embracing and overcoming those challenges. But in Kuwait and other countries like it, those challenges are exacerbated by the political and religious climate.

The annual holiday music celebration returns, featuring leading artists and celebrity guests coming together to spread festive joy.

Samuel Allen's life collapses, but he wants to pursue his childhood goals and become a preacher. To do this, the rock n roll star has to fight against his past demons.

Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).