Écoutez May Picqueray

This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.

How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.

To the Least of My Brothers and Sisters is a new documentary on the life of Jerome Lejeune, the Father of Modern Genetics that was made to celebrate the 20th anniversary of his death. Filmed on two continents, it contains numerous interviews with former colleagues, families, current medical researchers, and others, all who express the importance of Jerome Lejeune in both the history of medicine and the defense of the dignity of human life.

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

A self-narrated portrait of a Polish immigrant in Winnipeg whose unglamorous job keeping streetcar switches working reveals dignity, resilience, and pride in everyday labor.

A short documentary that emerge at the center of round table debate, participating in it there's three students from the Superior School of Arts and Design, Caldas da Rainha - Portugal. This conversation go along with a video essay about Afrofuturism and Pop Culture. Also, during the debate, an interview with another student gives some real example of how afrofuturism can be applied when it comes to in taking control of the colonial narratives into a black person perspective.

From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

Everyone knows Aguigui Mouna, the jester who harangues the crowds on the Beaubourg esplanade in Paris and rides his bicycle through demonstrations. But many don't know the story of André Dupont, a Savoyard raised in tough conditions, forced into violence in the navy to rise to power and into resourcefulness in civilian life to survive. Antibes, 1952, the transformation: Aguigui Mouna is born. Laughter, solidarity, non-violence, humanism—Mouna has found the meaning of his existence. He will try to share them with all the robots of this "poop-pee-capitalist" society. A comic book character who, through his adventures, reveals the absurdities of his century.