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Documentary / Action
Performance documentation of Mees Joachim's 'Homophobe', a 10 minute live-reenactment of a scene from 'E Kolór Korrá' (2017). A juxtaposition performed as minimally as possible. A destructively interpretive dance, literally shattering bones whilst forcefully dropping on the…
The Homophobe
We follow the story of The Thinker bombing at the Cleveland Museum of Art, trying to solve the mystery behind it because no one was ever caught. By following this case, we unravel the whole landscape of Cleveland and the USA in the 60s/70s - student protests, social justice movements, anti-war movements, and radical militant groups. We give a context to the bombing, which is symbolic on so many levels - it's an art piece that randomly became a target for political violence that, by being left unrepaired, became a reminder of the complicated history of the 60s/70s. The Thinker is a silent witness to this fascinating decade, looking down from his pedestal, still thinking about our place in the world as humans.
A short documentary film made up of archival footage shot in 2003, which was reworked and edited in 2018-2019. The film shows a haphazardly shot, fragmented property viewing and inventarisation through the eyes of a child, featuring a voice over by that same child. Because of having unrestricted access to their family’s camcorder as a child, there were a few instances where the artist's child form had shot ‘full length’ documentary films - with this documentary short being one of those instances. Often these documentations were a call for seeking comfort in a new surrounding, stemming from a deep fear of being forgotten or unheard, and a playful way of documenting one’s thoughts and feelings. In many ways the artist, Mees Joachim, was the original vlogger, before the advent of Youtube.
"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "
A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.
The Concrete Road is a three-channel installation work which was premiered during the Graduation Show 2021 at Gerrit Rietveld Academie. "Landscape shifts, unmodernised desires. This is a story comprising three avatars of myself talking to and interviewing each other, reflecting on memories and weaving a path on coming of age. Sticky childhood memory which never fades. Loosely fitted gender/racial identity struts in juvenile cravings. Self-loathing, negation of the past, and his frowning parents. The tyranny of modernism leaves a leaky path for the protagonist to escape and slobber in a dream of wet summer night. My highest appreciation towards Bertien van Manen, who not only provides images on memory bubbles, but also her images help me to develop the initial script for this work."
A short mock-vlog film explaining and defending the concepts behind the fictional 'Death To Straight White Men 2017' clothing brand. Edited in a way that mocked the trends of Youtube vlogging and apology-videos of the time, including sound effects and interjected fast-moving graphics. "After QnWF-société received an overwhelming amount of negative feedback following the launch of their 'Death To Straight White Men 2017' clothing brand, their CEO felt the need to create an apology video of sorts - explaining and defending the concepts behind their latest line of clothing."
