Documentary
A documentary film about the origins of the Basque trikitixa. It reflects how the small accordion brought by one of the Italian workers who came to build the Madrid-Paris railway tunnels in 1859, starting from Zumarraga, has become a symbol of contemporary Basque music.
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As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
For one historic evening, American music legends Earl Scruggs, Doc Watson, and Ricky Skaggs joined forces as The Three Pickers, to film a concert for public television. The music they made before a North Carolina audience is as relaxed as a front porch picking session. Informed by the skill and good humor of the three master musicians who contributed so much to the creation and evolution of bluegrass music. With special guest Alison Krauss.
The main protagonists of this slow-paced film are abandoned or suspended spaces associated with the production, distribution, and viewing of cinema in various localities across North Ossetia. The discussion of the decline of the film industry also serves as a way of pointing to the ambiguous position in which the progressive modernist project found itself in the late twentieth and early twenty-first centuries. Ignatov proposes poetic ways of establishing new relations with this project in response to the need to reinvent the links between past and future. The abandoned spaces are brought to life by two visiting musicians playing the uadynz, traditional Ossetian flutes.
