Hamburgeria - Interview for Mato Grosso

Follows the story of a group of old order Amish as they move from Belize to a remote area in Peru to pursue a more perfect order.

Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.

"letters to eleanore" is a poignant feature-length documentary that explores the intertwined journeys of two remarkable girls, Keith from Canto Grande in Lima, Peru, who bravely navigates life with cerebral palsy alongside her devoted mother, and Olivia from Litchfield, Minnesota, whose experiences highlight the stark contrasts in societal attitudes towards disability in their respective countries. As their narratives unfold, they are beautifully interwoven with the legacy of Eleanore and her family, whose life, untimely death, and the impact of her wheelchair ignited a powerful movement of hope for countless children and their families facing similar challenges. This film is not just a story of perseverance and love; it is a testament to the strength of community, brought to life through the collaborative efforts of volunteers, students, and communities across Peru and the United States, embodying a true grassroots style of storytelling that resonates with authenticity and compassion.

Concert by Víctor Jara at Panamericana Televisión in Lima, Peru, on July 17, 1973. This is one of the last audiovisual records of Víctor Jara. Two months later he would be assassinated by the Chilean military dictatorship.

A young woman shares her journey of overcoming adversity after being bullied at school, recounting how she found a way to heal her emotional wounds, as well as a path to self-confidence and resilience, especially through taekwondo.

The documentary aims to provide an insight into the workings of the non-profit Metal Diver e.V. from the Sauerland region and, at the same time, to highlight the importance of volunteering in rural areas and the challenges and importance of cultural associations for the music world.

The Sacred City of Caral or Caral-Supe is the capital of the Norte Chico Civilization of Supe located in the Supe Valley, 200 km (124 miles) north of Lima. The Sacred City of Caral is the earliest known civilization in the Americas, it dates to the Late Archaic period. Radiocarbon analysis performed by the Caral-Supe Special Archaeological Project (PEACS) dates its development between 3000 to 1800 B.C.. It is believed that this civilization started by the merging of small villages based on trade of agricultural and fishing products. Its importance rests on the success of techniques of domestication of cotton, beans, potatoes, chilis, squash among other products. Success in agriculture was due to the development of water canals, reservoirs and terraces. They used guano, bird excrement, and anchovies as fertilizer.

They are striking works of art by any standard: but what purpose did they serve? Some of the theories put forward suggest that the lines were ancient running tracks, runways for aliens, and even a giant astronomical calculator. But after decades of misunderstanding, modern archaeology may finally have an answer to the puzzle of the Nasca lines.

One of the world’s greatest ancient enigmas, the Nazca lines are a dense network of criss-crossing lines, geometric shapes, and animal figures etched across 200 square miles of Peruvian desert. Who created them and why? Ever since they were discovered in the 1920s, scholars and enthusiasts have raised countless theories about their purpose. Now, archaeologists have discovered hundreds of long-hidden lines and figures as well as evidence of ancient rituals, offering new clues to the origins and motivations behind the giant desert symbols.

Five stories about dignity in the capital of Peru. A local leader looking for someone to leave the post of her complex work, a tourist guide who is a patron of the architectural heritage and Creole music, an ex-delinquent rescued by the Evangelical Church, a teenage dancer of Afro-Peruvian music forced to emigrate and a muralist of Bellas Artes son of Andean migrants, they try to get ahead in Barrios Altos, the most feared – but also most beloved – historic neighborhood of Lima.

Is it possible to rebuild through a collection of archives? Based on a video workshop organized in Perú in June 2022, this short film aims at initiating the creation of a freely accessible, grassroots video archive for anyone who, in the future, wishes to preserve and continue building upon local memory.