Handel's Messiah @ Lausanne Cathedral 2025

The Australian Chamber Orchestra has always forged its own path. With Artistic Director and violinist Richard Tognetti at the helm, the ACO has been producing films for over a decade, from their award-winning collaborations with BAFTA-nominated director Jennifer Peedom (‘Mountain’, ‘River’) to their acclaimed series of cinematic music films, ‘ACO StudioCasts’. Directed by Matisse Ruby, ‘The Four Seasons’ film release is the latest from this ground-breaking, world-renowned ensemble. Arguably the most popular and recognisable piece of classical music ever written, this performance directed by Richard Tognetti, highlights the profound symbiosis between Vivaldi’s Venice and the Middle East. Interspersing Vivaldi’s masterpiece with music by Australian-Egyptian composer and Oud virtuoso Joseph Tawardros, the film honours Vivaldi’s classic while giving it new life. A must-see for music lovers and cinephiles alike.

Honoring the legacy of renowned 17th-century English Baroque composer Henry Purcell, the talented Choir of Clare College performs a selection of his sacred music, including "Te Deum," "Jubilate," "Anthems" and "Funeral Music for Queen Mary." Recorded at the beautiful Jesus College Chapel in Cambridge and directed by Timothy Brown, this live performance features the work of several brilliant soloists.

In this unique documentary, French filmmaker Benoit Jacquot interviews Alfred Deller, the internationally celebrated contemporary countertenor who focused his talent on showcasing Renaissance and Baroque music to modern audiences. One of the few films on Deller, it includes footage of him performing selections from Campion, Rosseter, Morley and Purcell. Deller toured the globe with his group, the Deller Consort, from the 1950s through the '70s.

When Bach was in the service of Prince Leopold in Coethen, he had his own orchestra and was contracted to compose a great deal of instrumental music. This gave him an opportunity to try new techniques and to develop his own instrumental style. The six Brandenburg Concertos belongs to these masterpieces for a small ensemble. This joyously infectious performance of these famous landmarks in the history of music by the Freiburg Baroque Orchestra demonstrates both the musical satisfaction and the high professional standard that can be reached with period instruments. The performance was given in the Bach Anniversary Year 2000 – 250 years after his death – in the elegant Hall of Mirrors at Coethen Castle. The Freiburg Baroque Orchestra’s members all have virtuoso skills. They take the spotlight gracefully for solos but also play with the true ensemble spirit required by the music. Their decision to perform without a conductor revives an eighteenth century practice.

The life and music of Johann Sebastian Bach as presented by his wife, Anna.

October 5th, at 10.30 pm , after pope John-Paul II`s blessing of Lyon from the top of Fourvieres hill, Rendez-Vous Lyon got under way, a concert performed for more than 800,000 people on the banks of the river Saone. Fourvieres hill was ablaze for ninety minutes, fired on by cannons of light, fireworks and images synchronised to music being performed live on the central stage by Jean-Michel Jarre, 60 musicians and 120 choristers. A baroque feast, blending classical and avant-garde, workmanship and high-tech, past and future, Rendez-Vous Lyon will long be remembered as an exceptional event.

John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.

In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned.

Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love.