Encountering BACH

In this short film, made on the occasion of a visit by Maurice Hasson to Mérida to perform in concert, he evokes in a warm conversation his indelible memories and deeply human experiences of his life in Mérida.

The pianist Kyra Steckeweh and the filmmaker Tim van Beveren search for traces where Countess Dora Pejačević (1885-1923) lived and worked. Their documentary is a journey through time to a half brilliant, half broken Europe.

Imagine a window into the past. Imagine finally connecting singers' bodies to the voices you have always treasured on record, watching footage of performances from another era. All of singers featured here have something in common (with one exception, Sutherland): they sang and performed on stage before the advent of filmed opera. . And it shows, for the first time, a few tantalizing minutes of recently recovered footage from Callas' legendary Lisbon Traviata, featuring Addio dal Passato and Parigi oh cara with Alfredo Kraus. This DVD will leave you asking for more.

Fifty years after his death, this musical and psychological portrait of Ralph Vaughan Williams explores the passions that drove a giant of 20th-century English music.

After constantly moving, two students finally find the opportunity to start a family by adopting a stray dog.

When young musicians come together to play classical music, they send out a strong signal to our today’s world. The film follows talented young Swiss musicians as they work, search for inspiration, but also expose their thought how to play nowadays the “old” Classical music.

Leonard Bernstein narrated by legendary screen star Lauren Bacall. The movie also relies extensively on Bernstein's own words to provide the counterpoint to the abundant visual material. Highlights include excerpts of Bernstein conducting masterworks by Beethoven and Mahler, as well as of the maestro with the New York Philharmonic in Moscow in 1959 before an audience which included composer Dmitri Shostakovich and the dissident poet Boris Pasternak. It also contains never-before-seen footage, such as outtakes from televised concerts and interviews. Among these special treats: the dashing 28-year-old maestro representing the U.S. at the 1947 Prague Spring Festival – possibly the earliest extant film of Leonard Bernstein.

Take a seat with us at FIRE’s first-ever classical music concert in support of free expression: “Outspoken: Music for Free Speech.” At the podium is conductor Rebecca Bryant Novak, a former doctoral student at the University of Rochester’s Eastman School of Music. Taking the stage for the first time since she was expelled without due process after speaking out about alleged harassment, Rebecca leads an all-volunteer orchestra in an unforgettable evening of music. Internationally acclaimed musicians, violinist Lara St. John and oboist Katherine Needleman, bring the stage to life with works by composers who themselves faced censorship, from Mozart to Shostakovich. Between performances, FIRE staff and special guests reflect on why free expression is essential for artists, and for all of us. The arts cannot thrive without free expression. Thank you to everyone who made this night possible!

A look back at the violent conflict between the two leading figures of musical modernity, Arnold Schönberg and Igor Stravinsky, in the first decades of the 20th century. Although Arnold Schönberg and Igor Stravinsky both had a decisive influence on the fourth art, their creations remained diametrically opposed. While the Austrian developed the dodecaphonic method, placing the twelve notes of the chromatic scale at the heart of the composition technique to the detriment of tonality, his Russian rival based his practice on stylistic eclecticism. Their supporters formed two opposing camps, and the two composers - one the father of the Second Viennese School, the other of Neoclassicism - became, in the wake of their successes, the figureheads of a conflict that marked the history of music by its duration and intensity.

You could be forgiven for mistaking Charlie Siem for James Bond. Whether he's driving an orange Porsche to his cliff-top Monaco mansion, ordering martinis or looking suave in a designer suit, he is a man on a mission. It isn't to hunt down SPECTRE, but to find perfection in everything he does. Whether it's performing on stage, recording albums, or selecting a suit, Charlie demands the best, of himself and others. Despite an entourage dubbed ‘Charlie's Angels', he's lonesome, and complains that people can't relate to him. Danish filmmaker Eva Mulvad, with patience and panache, delves into this life of privilege to find commonalities of ambition and desire.