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'All Small Bodies' is a feminist, sci-fi take on the Grimm tale of Hansel and Gretel. It occurs in the distant future among the ruins of a planetary catastrophe, revealing the abuses of history and technology. In the wake of the chaotic aftermath, there are several resilient survivors including two young girls named Z and Bub. The film follows these curious adolescents who have long been lost and alone in the haunted, other-worldly woods, as they awaken their extrasensory abilities and reclaim their autonomy from a menacing dark presence.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
A balladic fairy tale about the underground kingdom of goblins, based on Irish fairy tales. When darkness and rainy clouds gathering low in the sky increase, when October turns into November, everyone in Ireland celebrates Halloween. The eve of All Saints' Day is a time when children run around outside in picturesque masks, adults raise their mugs by the light of flickering torches in hollowed-out turnips, and the world of goblins comes to life underground. It is the only day when these creatures, no bigger than a grown mouse, can enter the human world, and also when mortals can enter their realm. And so Paddy, a young innkeeper generally considered a fool and a child, finds himself in the Moss Hall through a magical well and, in his kindness and desire for love, breaks the laws of the underworld.