
نادية المحامية

حسين

أحمد

والد نادية

صفية

الطفلة (نادية)

عادل

راقص في الحفلة النوبية

عصام

والدة نادية

فريد

Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.

When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.

Madbouly forces his daughter to sell lottery tickets in cafes, while her two brothers work in the field of pickpocketing. The wealthy Yahya meets Aisha and is sympathetic to her because he finds her very similar to the daughter he lost. The wealthy negotiates with Madbouly to take care of his daughter Aisha in his home and to educate and raise her in the best possible way. In exchange for a monthly salary.

Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.

The suitcase is packed and placed in the middle of the room, the door to the apartment is open, but something is preventing him from leaving. KROONG ( Կռունկ ) - Crane. In Armenian culture,Crane is a symbol of migration and the melancholy associated with departure, which resonates with the broader themes of Armenian history and culture.That's why movie called KROONG