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The Passenger
The Passenger
The Passenger
The Passenger
The Passenger
The Passenger
Liminal explores the everyday sensation of being in-between, offering a moment to consciously experience what we usually pass through unconsciously. Set in the flow of a metro station, the film reflects on transition, estrangement, and fleeting pauses in motion. As a fashion film, Liminal treats clothing as lived self-presentation in transit, where silhouette, posture, and shifting light shape how a body is read within public space.
A solitary Frenchman seeks inspiration in a ruined duchy, meeting eccentric figures with their visions of art, madness, and myth. During 15 minutes he wanders across the broken edges of reality and sanity, he questions what form inspiration can still take among fragments of ruins and environment, as the viewer steps into his eyes and ears, discovering beauty within decay.
William Keane is barely able to cope. It has been six months since his six-year-old daughter was abducted from New York City’s Port Authority Bus Terminal while traveling with him. Repeatedly drawn to the site of the abduction, Keane wanders the bus station, compulsively replaying the events of that fateful day, as if hoping to change the outcome.
