C'est tout ?

Tete is a cat fascinated by art, skateboarding, and her city, Rio de Janeiro. On a late summer afternoon, bored with the monotony of her room, she hits the streets for an adventure on wheels. Rolling past various tourist spots, dribbling around cars, and riding down hills, the kitten finds her peace. However, Tete didn't expect a mysterious portal right in the middle of the skatepark. Distracted while doing a trick, she falls into the hole and travels through different dimensions of animation. Confused and scared of losing the trace of her identity, a new adventure begins for Tete: finding her way back home.

Three 11 year old boys get a hold of a sex robot to have their first experience with her. At the moment of truth, they are too innocent so they become friends with her.

In the film Break, we see a frog and a penguin sitting and having a conversation on the delivery ramp of the grocery store Coop.

Animated characters introduce a compilation of George Pal replacement animation Puppetoon short films from the 1930s and 1940s.

3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.

In apartment 13, on a first date gone wrong and not sure if her date is dead or alive, Nova calls on her two best friends to help her figure out what to do with his unconscious body. Panic ensues… Meanwhile, in apartment 14, Tannie Ann goes about her morning only to discover that her and her late husband’s prized possession - a Mourning Cloak butterfly of impressive size - dead in her living room. Calm and composed, she goes through the process of preserving its corpse.

While everyone seems to find their way into the adult world, Bob is somehow trapped in childhood. Terrified of being left behind, he'll do anything in his power to force his way into this new life phase. But little does he know that the adult world is nothing like he expected.

The Moomins along with Little My and Snorkmaiden had a sea journey that after storms and desert island dangers leads the family to Riviera, the place that takes their unity to the test.

The journey of two storks on an ordinary workday reveals the urgent crisis in maternal health care in the United States. One stork has a relatively safe trip to deliver her baby, while the other faces significant dangers, risking her life; each obstacle serves as a metaphor for various forms of violence or obstetric complications. Throughout her journey, the protagonist visually deconstructs herself, just as she does the idealization of motherhood. A layer of reality begins to take over the screen through experimental manual painting. Upon reaching the maternity ward, the stark difference between the two storks becomes clear: the one who barely survived is the one delivering a Black baby.