Fliegen heißt, den Himmel suchen

In 2020, the World was closed. Life got cancelled. People were struggling. Here’s an emotional and entertaining true story shot live, during the pandemic, about courageous people who came together, despite the risk, to share their love with one another. The film opens in Times Square on NYE 2020. Everything seemed right with the World. Fast-forward six months into the pandemic, hundreds of artists from all different performance art genres are invited to come together over the course of several consecutive days, culminating in a group costume parade event on 10/10/2020 to witness the only live performances happening ANYWHERE. The goal was to lift each other's spirits during the 2020 Covid-19 pandemic. There were over a dozen genres represented including acrobatics, live music, magic, dance, and even a wedding. Dozens of unscripted live interviews were recorded and the event proved a huge success. The film captures the rawness of what it was like living during this unprecedented time.

Under the cover of night, skaters claim back the streets.

An intimate look inside the immigrant community in Portland, Maine, as told by Nyamuon Nguany Machar who arrived as refugee in 1995 and David Zwalita Mota who came as an asylum seeker in 2019.

Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

‘Bring Out a Briton’ was a short appeal for Australians to help the Immigration Department in its plan to form and assist a ‘Bring Out a Briton’ Committee in each district. It featured popular Australian actor Chips Rafferty as the spokesman for the campaign. Aimed at the Australian public rather than the prospective immigrants it was designed to allay a perceived anxiety amongst the public about non-British European migration.

Over a decade in the making, Swagger of Thieves follows rock band Head Like a Hole from the top of the charts to the bottom of a needle. Staring down their age, two pals and the main guts of HLAH, frontman Nigel Booga Beazley and 'co- conspirator' Nigel Regan strut the hard road out of hell, fighting to reconnect and return their band to past glory, amidst disgruntled band mates, a changed music industry, and disappointed wives. Struggling to place past addictions and sabotaged dreams behind them in their continuing quest for rock music relevance, the ever-collapsing binary stars of any Head Like a Hole lineup, are certain (not) to polish their legacy here. Swagger of Thieves captures what it means to be in a band with a reputation. Unrelentingly raw, wild and honest, to the point of being one of the most insightful music documentaries ever made. Essential viewing. New Zealand International Film Festival (NZIFF), Melbourne International Documentary Film Festival (MIDFF)

College students confront sexual violence on their campus through a transformative theater process. This urgent coming of age story follows young adults grappling with sex, consent, identity, and power on their paths to adulthood.