Allt jag bär

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.

When two incarcerated artists secretly document a routine prison practice, they risk their lives to expose a state policy that blurs the line between safety and sexual abuse.

What started for fifteen-year-old Manon as a secret holiday romance at an all-inclusive resort, slowly turned into a memory that she looks back on with less pleasure. She fell in love with Hugo, the big star of the animation team. He wrapped her up with beautiful words, that she was special to him. Although Hugo was much older than Manon, he still had sex with her. At first it felt good, but slowly it turned into a memory that she would rather not think about anymore. What happened during that holiday and how could it have happened? She goes looking for answers and comes face to face with Hugo.

Pia Sjögren was the subject of three documentaries by director Tom Alandh, beginning in 2001. He first saw her on the street selling newspapers, homeless, addicted to drugs, trying to make enough money for the day. Since then, she has become clean, and now gives lectures about her experiences, sharing her knowledge. This is the fourth film about her, filmed between 2011-2020. At the start of this installment, Pia has recently begun having heart and breathing issues, her own daughter is in prison for narcotics, and her mother, who we were introduced to in previous installments, continues to struggle with rapidly decreasing eyesight.

Stacey Dooley goes behind closed doors and speaks to the now younger face of domestic violence. She questions victims and abusers to try and understand how deep the issues surrounding domestic abuse are for those who have survived and those currently experiencing the abuse.

Uncovers the system of abuse and denial that killed a 14-year-old boy in a Florida Boot Camp.

During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating television talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.

Between 1924 to 1970, Kinchela Boys Home in Kempsey, New South Wales, saw an estimated 400 to 600 Aboriginal children exposed to routine acts of cultural genocide and remains one of Australia’s most notorious institutions of the Stolen Generations. After being stolen from their families, country, and community, children were stripped of their names, given numbers, and subjected to ‘reprogramming’ and strict regimes of manual labour. We Were Just Little Boys is narrated by KBH survivors.

At the age of 10, Natascha Kampusch was kidnapped and held captive for eight years by a deranged man. In 2006, she managed to escape, and the world discovered an astonishingly articulate and intelligent young woman. Not only did Peter Reichard film 14 hours of conversations with Kampusch, but he was also the very first filmmaker to obtain exclusive access to the house where she was imprisoned. This is the most complete, explicit and revealing documentary in which Kampusch has participated.

Seven strangers are interviewed to talk about the relationship they have with their mother.

In recent decades, more than 10,000 children reportedly were sexually abused by Catholic priests in the US. From behind the headlines, filmmaker Joe Cultrera tells the very personal story of how the crisis affected his family. It is the intimate story of how his brother, Paul, was molested in the 1960s by a priest who also reportedly abused nearly 100 other children. In an emotional film, the Cultrera family tells their story of faith betrayed.