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Self : Maestro
Self : Violinist
Becoming a father is an extraordinary adventure in a man's life, but it is also a real physiological metamorphosis that science is only just beginning to reveal. Researchers from multiple disciplines are lifting the veil on these changes taking place in men who are in contact with young children, and their discoveries are astonishing. By tracing the thread of evolution, the film reveals that these deep, long-ignored bonds between men and children are very ancient. And that they are just waiting for the right context to fully express themselves.
By 1997 Diana, Princess of Wales had spent over a decade in the global spotlight. From a fairytale princess to a powerful independent mother - Diana had shown resilience and resolve. Free from the shackles of a royal marriage, she was just about to conquer the world all over again and this time on her own terms, but everything was about to come to a screeching halt.
In France, more than 10 million people of all ages are believed to rely on food aid. Faced with this reality, mutual aid initiatives are multiplying to feed, comfort, and integrate people. From lunches where everyone pitches in, to one-euro menus, workshops on how to cook healthily and cheaply, and dinners prepared by Michelin-starred chefs, solidarity kitchens are multiplying in France.
This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.
The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.
With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.
