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"... It's heartening to see so much talent and dedication at work in the under-appreciated medium of personal, as opposed to corporate, comics. I also enjoyed watching so many introverts (I oughta know) squirming in front of the camera, valiantly trying to explain the unexplainable." - Bill Griffith, creator of Zippy the Pinhead

A feature-length documentary film-in-progress chronicling the birth and development of LGBTQ comics through the eyes of several of its pioneers. The film was inspired by the Lambda award-winning book of the same name, and dives deeper into the personal stories at the heart of this unique underground artistic scene. Featuring Alison Bechdel (Fun Home), the recently departed Howard Cruse (Stuck Rubber Baby, Gay Comix), and others, this film aims to show how DIY queer cartoonists have represented, poked fun at, and celebrated LGBTQ lives and experiences in challenging, humorous, and profound ways.
Documentary about Joann Sfar (born August 28, 1971) is a French comics artist, comic book creator and film director. He is considered one of the most important artists of the new wave of Franco-Belgian comics. His main influences are Fred and André Franquin as well as Marc Chagall, Chaim Soutine, Will Eisner, Hugo Pratt and John Buscema. From 2009 to 2010, Sfar wrote and directed Gainsbourg: Une Vie Heroique, a biopic of the illustrious French songwriter and singer, of whom Sfar is a self-confessed fanatic. The film, which draws substantially on Sfar's abilities as a comic book artist through its extensive use of fantasy artwork, animation and puppetry, was released in 2010 to general critical acclaim.

Throughout history, music has served as the primary method of expression for the nations and cultures that embrace it, as well as an unyielding bridge between past and future generations. Given its unstoppable technological, artistic, and accessibility evolution, what relationship does today's music hold with traditional chants? How do folklore and new urban genres intersect? What does their future look like? Guided by Gese Da O—music producer for artists such as Cruz Cafuné, Quevedo, and Delaossa—alongside Los Sabandeños and the Club de la Zarzuela de Madrid, *La música en el tiempo* seeks answers to these questions.

At the heart of Manaus, two of the city’s last remaining street cinemas continue to endure: the historic Cine Carmen Miranda and Casarão de Ideias. O Cinema e o Centro explores their histories, challenges, and achievements, reflecting on the role of these spaces in an era shaped by streaming, shopping malls, and social media. More than movie theaters, they emerge as gathering places, sites of cultural resistance, and symbols of the enduring relationship between the city and the seventh art.