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On October 12, 1972, during a student meeting at the former Higher Institute of Economic and Financial Sciences, a PIDE/DGS agent shot two students. One of them, José Ribeiro Santos, died soon after at Santa Maria Hospital. His death sparked massive protests, and his funeral became a symbol of resistance against the dictatorship. More than a year before the April 25 Revolution, students declared, “That day, we lost our fear.” Diana Andringa’s documentary revisits this event through testimonies and reflections on its lasting impact on a generation and on Portuguese society.

On December 3, 2024, in Seoul, the President of South Korea Yoon Sukyeol declares the martial law. Troops move toward the National Assembly to seize control. Meanwhile, citizens rush to the National Assembly to block the troops, while lawmakers break through police's barricades at the main gate, climb over the walls to attend the session that lifts the martial law.

On October 16th, 1958, a family fled Indonesia. They spent a month at sea aboard the M.S. Sibajak on a voyage to The Netherlands. When they arrived, it was getting winter. Coming from the tropics, the cold was a shock. The family quickly noticed that the spirits who had always been with them in Indonesia were no longer there - they had left them along the journey.
Documentary about Berlin's "Salon Kitty," a brothel that was systematically used by the Nazis for espionage. The owner's daughter took over the premises in 1953 and gradually converted them into an artists' guesthouse. In the early 1990s, her grandson tried unsuccessfully to set up a guitar school, and since then the guesthouse has mainly accommodated asylum seekers. Rosa von Praunheim traces the history of the house in conversation with prominent contemporary witnesses.

Where Comes Mulan follows artist and filmmaker Tianyi Zheng as she returns to her ancestral village in Huangpi, Wuhan, where the legendary figure of Mulan is said to have originated. Beginning with intimate conversations with relatives and local residents, the film traces how Mulan has been remembered or forgotten in everyday life, only to collide with how local authorities have transformed her image into a powerful tourism brand. Through walks across tourist sites and abandoned ruins, Zheng questions the gap between lived memory and official narrative.

West Java, in current-day Indonesia, was home to the Sundanese Kingdom that flourished for over nine centuries, yet few physical traces remain today that sing of its glory. Nestled in a geologically sensitive zone, the region has long been subject to nature’s unabated fury, with periodic earthquakes, tsunamis and volcanic eruptions wiping out its heritage and reducing it to a “landscape of amnesia”.