Self
In a brand-new documentary, the actress who portrayed the unforgettable Émilie Bordeleau revisits her memories of filming and analyzes the cultural legacy of this cult saga. By exploring the timeless power of its characters, she testifies to the major impact this work has had on the collective imagination and on the history of Québec television.
The turbulent life of soul and blues singer, the late Joe Cocker. A former gas fitter from Sheffield, catapulted to world stardom in 1969 at Woodstock with his legendary performance of the Beatles song, "A Little Help from My Friends". But in the early 1970s, Joe Cocker's inner demons nearly killed him. Overcoming his struggles with alcohol and drugs, he rebuilt his reputation as "one of the great primal rock and roll vocalists of all time" (Billy Joel's description). The film mixes Joe Cocker's own words, with rare archive. His wife (Pam Cocker) & family, friends and the legendary songwriters and musicians he collaborated with, tell Joe Cocker's story. The film has raw, historic, electric performance footage throughout. Extensive interviews of key people through his life include: Pam Cocker, Ben Fong-Torres (Rolling Stone magazine editor), Randy Newman, Jimmy Webb, Billy Joel, Rita Coolidge, Deric Dyer, Glyn Johns, and numerous others.
Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
