Breaking Walls

Children are mysteriously falling ill at an orphanage. Candy Boy, the most valiant of the orphans, investigates, but the arrival of a new boarder complicates his inquiries.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.

A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.

High school music teacher, Morimura Yuuki, is the concert master and first violinist of the amateur orchestra, Fujimi Orchestra. Surprisingly, a young conductor named Tonoin Kei (known as a musical genius) joins this small orchestra to conduct. Even though Tonoin is a strict conductor, all the members adore him for the notable improvements in their performances and soon Yuuki feels his efforts for the orchestra have been fruitless. Yuuki soon comes to the conclusion that his crush of 3 years likes Tonoin, and he decides to give up on her and leave the orchestra. Tonoin refuses to let him quit, confessing that he loves Yuuki, which reveals that he's gay. Tonoin's love confession confuses Yuuki and it leads to a very horrible misunderstanding.

Dorotys dream was to dance and be recognized as the woman she was, but death came first. Her best friend Misael, a sixty-year-old gay man, will make it happen. Misael creates the first diverse folk dance group, questioning traditions that are defended by cultural values in order to erase their queerness.

Traveling back to the places where he grew up, Dustin Lance Black explores his childhood roots, gay identity and close relationship with his mother, who overcame childhood polio, abusive marriages and Mormon dogma, while becoming Black’s emotional rock and, ultimately, the inspiration for his activism. With a wealth of personal photographs and candid memories from Black’s family, colleagues, and friends, this documentary embraces the personal to tell a universally hopeful tale of resilience and reconciliation through the power of love and shared stories.

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.

Transsexuals? Transvestites? Skinheads? Anarchy? Street life, hustling and drag are explored with sophistication, emotional resonance and that certain extra something that'll make you want to change the impossible to the incredible.

A student, initially serving as a director, filmed his LGBTQ+ teacher but eventually became personally involved in drag. What began as an observer's stance transformed into active participation in drag. Through self-engagement in drag, the director assumed the identity of Rachel and seized an opportunity for a dialogue with self-identity. This experience led to an awareness of the conflicting dialectics between societal frameworks and personal identity. The director embarked on multiple attempts to coexist with and showcase the multifaceted aspects of the transformed, drag persona.

Letter to L.Y is Stephanie Mavi Garcia Panclas' second experimental film for their class. The film surrounds the feeling of nostalgia shown through the layering of video.

The shocking story of Richard Leopold and Nathan Loeb, two wealthy college students who murdered a 14-year-old boy in 1924 to prove they were smart enough to get away with it.