Himself

Heavy Left-Handed & Candid is Cradle of Filth's second foray into visual entertainment's arena and with it comes a madness the likes of which may preferably never be seen again. A lethal injection of both concert and studio documentation, this DVD is testament to the maxim "Do what thou wilt shall be the whole of the Law," the veritable life code of one Aleister Crowley, who, in his time, was widely regarded as the most dangerous man in the world. Whether Cradle of Filth even come close to the prestigious title of "the most dangerous band in the world" remains as yet to be seen, but if there's one thing watching this marriage of Heaven, Hell, and the worst bits in between will assure you of, it's the Filth's ability to shock, shake, and deliver where it hurts the most... right on your grave. Open up and say.... "Aaarrrggh!"

Mayhem is the most notorious group in the annals of black metal. Their nearly 25 years of band history are characterized not only by uncompromising and brutal music, but also by suicide, murder, arson, and many other scandals. Revered by their fans, Mayhem are feared and loathed by the mainstream public. 'Pure Fucking Mayhem' is a 90+ minute DVD documentary featuring exclusive interviews with current and former members of Mayhem. This documentary attains a maximum of authenticity with its rich, often unreleased footage.

A documentary about the rise, fall and resurrection of the Black Metal music and culture in the Egyptian cities Alexandria and Caïro. This subculture was related with satanic rituals and blasphemy by the media and the government. For this reason the national security of Egypt organised a real 'witchhunt ' on all the metalfans and musicians. Many youngsters were arrested.

The main themes of Murder Music are: the musical origins of black metal, from Birmingham, UK hard rock group Black Sabbath to Newcastle extreme metal pioneers Venom; the anti-Christian sentiment of its practitioners; the controversies surrounding the criminal acts (arson and murder) of the early Norwegian scene; and the paradox of a Christian form of black metal, represented by Scandinavian band Frosthardr. The 64-minute documentary eschews much of the tabloid sensationalism that shrouded the genre in the early to mid-'90s, focusing instead on the music itself, an element thus far overlooked by the mainstream media.