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In his tower-block apartment in New Lodge, Joe reenacts memories from his childhood amidst the “Troubles”. In this Catholic area of Belfast, the number of deaths was tragically significant. Joe is joined by neighbours Jolene, Sean, Angie, and others, all willingly participating in this process of revisiting the collective memories that shaped their lives and the district they live in.
A look primarily at the beauty of the countryside and seacoast, starting at Carrick-a-Rede Island then on to Enniskillen, the cathedral at Downpatrick, an appreciation of Medieval Irish craft and architecture, visits to a peat farm and the ruins of Castle Dunluce, and the pastoral beauty of County Down. There we visit the resort seacoast town of Bangor. It's on to Cushendun in County Antrim and finishing at the Giant's Causeway as we examine fascinating rock formations and the mysteries of creation.
An emotive, intimate film on the life and death of acclaimed young Northern Irish journalist Lyra McKee, whose murder by the New IRA in April 2019 sent shockwaves across the world. Directed by her close friend Alison Millar, the film seeks answers to her senseless killing through Lyra’s own work and words.
How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.
A documentary about Tanjuska who is a 12-year-old White-Russian schoolgirl, with a face like an icon. Two years ago she stopped eating, then talking and finally she stopped growing. The village priest in Estonia has explained to the family that seven devils have made a home inside Tanjuska. These devils are giving her orders and only a daily ceremony can force the devils to leave the girl.
On January 30th, 1972, the British Army shot dead thirteen unarmed civilians taking part in a civil rights march in Derry. At the subsequent Tribunal of Inquiry Lord Chief Justice Widgery exonerated the soldiers and blighted the reputations of those who were killed and wounded by describing them as gunmen and bombers. In 1998, in a move that was widely seen as significant in sealing the Northern Ireland peace process, Prime Minister Tony Blair announced a new Tribunal of Inquiry to be led by Lord Saville of Newdigate. This highly personal documentary, made by Margo Harkin who was witness to the events, follows the 6-year long search for the truth at the second Inquiry until its momentous conclusion on June 15th 2010 when the report was finally published.'
Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.
