Graça Morais – As Escolhidas

Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.

In 1969, the grocery store's son and promising cyclist Eddy Merckx took part in the Tour de France for the first time. He devours the competition and is the first to cross the finish line with a lead of more than seventeen minutes. 'The Cannibal' is born.

A behind-the-scenes look at "Viagens", one of the greatest portuguese records of the 1990s, in the year of its 20th anniversary.

When the artist loses inspiration, she turns towards the overlooked things that tend to fuel us the most

Artistic experimental documentary short that explores the universe of Brazilian artist Lygia Clark. Sensorial experiences, the perception of the body, forms and tactile sensations are mixed and reflect the human race as part of the cosmos, getting lost to find itself. Art, stripped of its virtuous image, as an action of the common human being, the expression of living things, runs from the mechanical repetition of movements and attitudes.

A documentary that brings together interviews with 20 activists who address the issue of intersectional feminism and patriarchy in Portugal.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Documenting Graffiti culture in a basketball court in the Bronx. The filmmaker was accompanied by Martin Wong who said, "bring your camera". The Graffiti Hall of Fame is the result.

Carlo McCormick was invited to curate an East Village Art show at a gallery in Richmond, Virginia. Filmmaker Tessa Hughes-Freeland took filmic evidence of the infamous exhibition that featured downtown artists such as David Wojnarowicz, Marilyn Minter, Luis Frangella and more painting naughty murals while on acid.