Documentary
Raves are the pinnacle of creating safe spaces; houses creative expression through music, fashion, and icons that promote community building. We follow D Waviee, a DJ and a trans icon in the Filipino rave scene, while we get a glimpse of the local rave scene—as she closes the…

Cast

Concentric Beats is a documentary film about the US drum'n'bass music experience, focusing mainly on three cities: Los Angeles, New York and San Francisco. Besides featuring club and rave footage, the narrative of the film is carried through by over 70 interviews with some of the main protagonists of the drum'n'bass scene in the US as well as abroad. We listen as DJs, producers, club promoters, record label executives, dub-plate manufacturers, music journalists, and fans all speak on the history of the US drum'n'bass movement.

An investigation of Edward Brezinski, an ambitious, charismatic Lower East Side painter hell-bent on sucess, who thwarted his own career with antics that roiled NYC’s art elite. Brezinski’s quest for fame gives an intimate portrait of the art world’s attitude towards success and failure, fame and fortune, notoriety and erasure.

Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.

A documentary that explores the reality of the LGBTQIA+ community through the perspective of those who, excluded from their families of origin, have built new bonds and forms of belonging. At the center of the film is the House of Windowsen, an emerging presence in the Italian ballroom scene, made up of Gian, the overall father, Morgan Sasha, and Concetta. Following their lives between Milan, Rome, and Naples, the film weaves together personal experiences and shared journeys, offering a direct portrait of ballroom culture and the dynamics of a chosen family that is atypical and non-nuclear. It is a narrative that highlights identities, relationships, and the need to create a space in which to exist.

Queen’s Land tells the oft forgotten history of drag, repression and resistance in Queensland’s queer scene during the Joh Bjelke-Petersen dictatorship. With glitter and glamour Destiny Rogers describes the ups and downs of life under Australia’s most conservative police state through the 60s to 80s. Petrified jelly, bribery, and gay bikies. Despite living in “pig city” a community was able to persist. To complement, Sel Dowd provides a history of the activist struggles of the era which inform our ongoing struggles today.

In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.