Documentary
Film reconstructs the historic match Argentina vs England at the 1986 FIFA World Cup quarter-finals, famously remembered for the the hand of God goal by Maradona. Also exploring the sporting, political, and cultural dimensions of the encounter, in the background of the recent…


Self

Self

Self

Self

Self

Self

Self

Self

Self (Archive)

Self (Archive)

The adventure of the minitel, a small cubic terminal with a folding keyboard that began in the 1970s in the labs of France Telecom, is closely linked to Alsace. Alsatians had then in hand the future tools of interactive communication. What remains today of all those minitel years? Like a nocturnal and intimate road-movie, this documentary went to meet the last people who are still interested in the minitel, this strange beige box of access to telematic services, corny today, but pioneers at the end of the last century.

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

More than 15 years after leaving the country, Eugène Murangwa, the former goalkeeper of the most popular club in Rwanda and national team, returns to his native land to pass on the values of a sport which saved him in 1994 to the young people of an association that he created with former football players. Illustrated with previously unseen archives, the film throws a new light on the history of Rwanda through football, a sport which served the “civilizing” mission of the colonizer, allowed the Hutu Power to mobilize the youth and helped the reconstruction of the country after the genocide.

A sport like football is primarily a passionate celebration, but one that is so massive (economically, politically and socially) that it, of course, also brings many problems. Olallo Rubio's third documentary (and fourth film in total), Ilusión Nacional, is a take on how the world's most popular sport relates to Mexican society and politics.

“Kick Start” re-lives Florida’s trek to the program’s first national championship in 1998, coming up against women’s soccer juggernaut North Carolina. To build a national championship program from the ground up is no easy task and given the landscape of women’s collegiate soccer in the mid-1990s, Becky Burleigh’s charge was even more difficult.